For the connoisseur of art, it seems that Salvador Dalí has returned to his easels, full of daring, with new aesthetics and propositions. But the style is only hers, unique, creative and exclusive. The exceptional sensitivity of her work has a lightness that is almost metaphysical. She calls it dreamlike imagery.
In the Renaissance, Marizeth went to learn the most precise and delicate technique of colours and brushstrokes. Freely she dreamt of it to then placed it with an unusual mastery on a blank canvas. Her eyes can confidently choose the perfect colours and tones, like a pianist who knows the most complex score from memory.
Could she be considered a baroque painter? Perhaps, due to the exuberant sensuality of the forms in her work, in which she expresses her deepest soul cravings. Because for her painting is a pleasure and a vital necessity.
In the abstract Marizeth reveals her domain of the different styles. She has all of them under her control. She is many things but not a painter of limitations prone to repition. Her world is wide, immeasurable, multiple, complex, without borders or barriers.
Born in Brazil, with Germanic origins, her training was developed in the major art schools and universities of Brazil and Europe. Her work is the sum of her life experiences in two continents, where aesthetics and culture, history of art, design, film, advertising and photography inspire her to create a wonderful world of art and beauty.
Marizeth’s work is shocking at times, captivating and full of mesmerizing visuals and deep messages, and for anyone who is moved by beauty. Her dreams are not an exclusive propriety of her intimacy anymore but instead they overwhelmingly invade our souls.
Her creative spirit discovers unprecedented ways ensuring that we are face to face with an artist of our time.
Or is Marizeth a timeless artist?
Ruben Goulart de Andrade
Director creative advertising and Art –São Paulo